Category: Interviews
On Artvertisement, Darrin Bradbury Mulls Over “Making It” in Music
The Hosts of Basic Folk Share Interview Tips and Karaoke Philosophy
Binding Spell’s English Basement Captures Endless Time in a Finite Space
On a New Double Concept Album, Kendall Street Company Choose to Go to the Moon
Producer Slic Talks Overstuffed Stems and Sick, Slappy Synths
LASKA on Sand Dune Cults and Summer Spirals
Reggie Harris on Finding Solid Ground in a Storm of Injustice
Bandits on the Run on Robbing Banks and Making Alchemical Art
Kendra Sells on Bad Doctors and Believing in Yourself
Fake Dad on Fake Sampling and Real Artistic Tenacity
“Why Not Make It Real?” A Conversation with June LaLonde
Paulina Vo on Surviving Isolation and Becoming a Music Publishing Sleuth
Mountainess on Soundtracking for the Self-Empowered Introvert
Brandon MacDonald of Home Is Where on Dylan Worship and Becoming Birds
Crosby Morgan of Leandrul on Infusing Meaning Into Life and Music
Ned Russin on Going with His Gut for a Grittier Glitterer
Rob Kovacs on Video Game Music and Vulnerability
Maria BC on Making Art to Get Out of Bed
Sound of Kalima on Starting with Limitations and Escaping to Space
Sadie Gustafson-Zook on Leaning Into Uncertainty
Quinton Barnes’ Adventures In An Exciting Century of Art
Tyler Bussey Talks Impossible Scenarios and Widescreen Arrangements
Vishal Narang of Airhead DC on Music and Mythology
From Fast Food to the Flavors of Fall: An Interview with Ty Sorrell
Slow Dress on Radical Politics and Radical Friendship
Un-Brokenlegged: Caleb Cordes of Sinai Vessel on Setting His Creative Limb
Stephanie Lambring on Challenging Herself and Healing Through Hard Truth
Yves Jarvis on Clashing with the Creative Ego in Sundry Rock Song Stock
River Hooks on Leveling Up From Soundcloud Covers to Her Self-Produced Debut
Dan Maddalone of Coupons on the Band’s Unexpected Up & Up
Jessica Vaughn on Surviving Music and Building a Better Business
Bronte Fall Talks Age, Aspiration, and the Ironically-Titled Finishing School
Evelyn Cools on Leveling the Production Playing Field
Chazzy Lake on Imperfect Enlightenment and Allowing Art to Happen
Aja Volkman and Dan Epand of TWO on Staging Their Second Act
James Downes of TEOA on Socially-Distant Singles
Hayley Sabella on Courage, Faith, and Flying the Nest
An Endless Well: Homer Steinweiss of Holy Hive on Soul Folk Fusion
Isaiah Ross of Jack Swing on Live Music Under Lockdown
Diane Gentile Talks Stage Fright and Sailing The White Sea
Steve Wynn of The Dream Syndicate on Finding Order in The Universe Inside
Ali Holder Talks Uncomfortable Truths in Unusual Times
“Just Kidding. But Not Really.” An Interview with Griefcat
Anna Holmquist of Ester on Sharing Joy in Saturn’s Return
Brother Moses’ Guitarists On Bucket List Venues and Big Apple Bustle
James Steinle on Reaching Past the Personal, Regional, and Rural
One Small Step For a Band: Tan Cologne on Launching Their Lunar Debut
Christopher Paul Stelling on Planting Resolutions and Reaping the Rewards in Song
On Between Skies, Anna Morsett of The Still Tide Finds Song Shapes in the Clouds
Moving Musical Picture: An Interview with Jarik Hieronymus
Charles D’Ardenne of Comprador on the Secret to a Less Self-Conscious Sound
Lindsay Foote Finds Her Footing From Toronto to “New York City”
Half Formed Things on Life in the Studio and in the Flicker
Darrin Bradbury on Mental Health and Making Room for Empathy in Humor
Lisa Bastoni on Folk Covers and Feeling Alive Again
Alex Krug on Looking Closer and Leaning Into the Flow
Ashley Sofia on Solo-Songwriting Shades of Blue
Dirty Mae on Dancing Through the Dark Spaces
Soul Meets Body on Stepping Up and Starting Something New
Michaela Anne Talks Diving Deeper on Desert Dove
Harper Lines on Hiatuses and Homecomings
Jamie Rowen of Stray Local on Relationships and Running Wild
Ciaran Lavery on Shaking Songwriter Stereotypes
Cricket Blue on Crafting a Collection of Serotinal Songs
talker Talks Close Collaborators and Audience Immersion
Co-writing with the Universe: An Interview with Abigail Dowd
Tim Bluhm on Spirit Sightings and “Sorta Surviving”
Carly Barnette of KiSMiT on Following the Music of the Moment
JD Eicher on Finding New Directions with The Compass EP
Claire Byrne of Driftwood on Sharing the Creative Reins
Getting (Musically) Naked with Kelsey Warren of Blak Emoji
Nevermind the Changing Times: An Oral History of Aaron David Gleason
Hip-Hop Humility: An Interview with Jake The Human
Jack Hubbell of Telyscopes on Demystifying Death
Wes Charlton Comes Back to a Workbench and a Way of Life
Susannah B on Raising Spirits in a Material World
Summer Mood Cycle: An Interview with Jungheim
City Boy Shattered: An Interview with Renz Wilde
Josh Shilling of Mountain Heart on Floating Up in an Ocean of Talent
Olivia Hudson on Growing Up , Getting Lost, and “The 9:30 Club”
A Graduation of Sorts: Peter Schrupp of Arms Akimbo on “Velleity”
Jason Loux of Xoul Kool on Old-Time and Eclecticism
Eli Gardiner on Letting Go of Loss Through Lyrics
Graydon James of The Young Novelists on Old Towns and New Songwriting Territories
Out on One Limb or Another: An Interview with Opin
Good Rooms, Good Vibes: Peter More and Adrien Faunce on “Caddis Moon”
Comfort’s Phil Koehncke on Ambient Interludes and Productive Conflict
Perfect Imperfection: the Making of Paul Luc’s Bad Seed
Heart, Intention, Authenticity: An Interview with Monti The Artist
Frank Cervantes of Retroglyphs on the Wild Retrowave Road Ahead
The Right Amount of Distortion: An Interview with Sam Valdez
Light and Licensing: An Interview With Composer Jordan Critz
Rentboy on Modernist Poets and Plugging Holes in Past Work
Renz Wilde on the Cyber-Cityscapes of Super Stereo Sound
Pablo Cabrera of Popolocho on Combating the Quarter-Life Crisis
Koda Kerl of Chamomile and Whiskey on Mixing a Cocktail of Influences
Christian Lopez Talks Aiming High with Sophomore Record Red Arrow
How to Build a Time Machine: Inside Michael Oakley’s California EP
