
Category: Interviews


On Artvertisement, Darrin Bradbury Mulls Over “Making It” in Music

The Hosts of Basic Folk Share Interview Tips and Karaoke Philosophy

Binding Spell’s English Basement Captures Endless Time in a Finite Space

On a New Double Concept Album, Kendall Street Company Choose to Go to the Moon

Producer Slic Talks Overstuffed Stems and Sick, Slappy Synths

LASKA on Sand Dune Cults and Summer Spirals

Reggie Harris on Finding Solid Ground in a Storm of Injustice

Bandits on the Run on Robbing Banks and Making Alchemical Art

Kendra Sells on Bad Doctors and Believing in Yourself

Fake Dad on Fake Sampling and Real Artistic Tenacity

“Why Not Make It Real?” A Conversation with June LaLonde

Paulina Vo on Surviving Isolation and Becoming a Music Publishing Sleuth

Mountainess on Soundtracking for the Self-Empowered Introvert

Brandon MacDonald of Home Is Where on Dylan Worship and Becoming Birds

Crosby Morgan of Leandrul on Infusing Meaning Into Life and Music

Ned Russin on Going with His Gut for a Grittier Glitterer

Rob Kovacs on Video Game Music and Vulnerability

Maria BC on Making Art to Get Out of Bed

Sound of Kalima on Starting with Limitations and Escaping to Space

Sadie Gustafson-Zook on Leaning Into Uncertainty

Quinton Barnes’ Adventures In An Exciting Century of Art

Tyler Bussey Talks Impossible Scenarios and Widescreen Arrangements

Vishal Narang of Airhead DC on Music and Mythology

From Fast Food to the Flavors of Fall: An Interview with Ty Sorrell

Slow Dress on Radical Politics and Radical Friendship

Un-Brokenlegged: Caleb Cordes of Sinai Vessel on Setting His Creative Limb

Stephanie Lambring on Challenging Herself and Healing Through Hard Truth

Yves Jarvis on Clashing with the Creative Ego in Sundry Rock Song Stock

River Hooks on Leveling Up From Soundcloud Covers to Her Self-Produced Debut

Dan Maddalone of Coupons on the Band’s Unexpected Up & Up

Jessica Vaughn on Surviving Music and Building a Better Business

Bronte Fall Talks Age, Aspiration, and the Ironically-Titled Finishing School

Evelyn Cools on Leveling the Production Playing Field

Chazzy Lake on Imperfect Enlightenment and Allowing Art to Happen

Aja Volkman and Dan Epand of TWO on Staging Their Second Act

James Downes of TEOA on Socially-Distant Singles

Hayley Sabella on Courage, Faith, and Flying the Nest

An Endless Well: Homer Steinweiss of Holy Hive on Soul Folk Fusion

Isaiah Ross of Jack Swing on Live Music Under Lockdown

Diane Gentile Talks Stage Fright and Sailing The White Sea

Steve Wynn of The Dream Syndicate on Finding Order in The Universe Inside

Ali Holder Talks Uncomfortable Truths in Unusual Times

“Just Kidding. But Not Really.” An Interview with Griefcat

Anna Holmquist of Ester on Sharing Joy in Saturn’s Return

Brother Moses’ Guitarists On Bucket List Venues and Big Apple Bustle

James Steinle on Reaching Past the Personal, Regional, and Rural

One Small Step For a Band: Tan Cologne on Launching Their Lunar Debut

Christopher Paul Stelling on Planting Resolutions and Reaping the Rewards in Song

On Between Skies, Anna Morsett of The Still Tide Finds Song Shapes in the Clouds

Moving Musical Picture: An Interview with Jarik Hieronymus

Charles D’Ardenne of Comprador on the Secret to a Less Self-Conscious Sound

Lindsay Foote Finds Her Footing From Toronto to “New York City”

Half Formed Things on Life in the Studio and in the Flicker

Darrin Bradbury on Mental Health and Making Room for Empathy in Humor

Lisa Bastoni on Folk Covers and Feeling Alive Again

Alex Krug on Looking Closer and Leaning Into the Flow

Ashley Sofia on Solo-Songwriting Shades of Blue

Dirty Mae on Dancing Through the Dark Spaces

Soul Meets Body on Stepping Up and Starting Something New

Michaela Anne Talks Diving Deeper on Desert Dove

Harper Lines on Hiatuses and Homecomings

Jamie Rowen of Stray Local on Relationships and Running Wild

Ciaran Lavery on Shaking Songwriter Stereotypes

Cricket Blue on Crafting a Collection of Serotinal Songs

talker Talks Close Collaborators and Audience Immersion

Co-writing with the Universe: An Interview with Abigail Dowd

Tim Bluhm on Spirit Sightings and “Sorta Surviving”

Carly Barnette of KiSMiT on Following the Music of the Moment

JD Eicher on Finding New Directions with The Compass EP

Claire Byrne of Driftwood on Sharing the Creative Reins

Getting (Musically) Naked with Kelsey Warren of Blak Emoji

Nevermind the Changing Times: An Oral History of Aaron David Gleason

Hip-Hop Humility: An Interview with Jake The Human

Jack Hubbell of Telyscopes on Demystifying Death

Wes Charlton Comes Back to a Workbench and a Way of Life

Susannah B on Raising Spirits in a Material World

Summer Mood Cycle: An Interview with Jungheim

City Boy Shattered: An Interview with Renz Wilde

Josh Shilling of Mountain Heart on Floating Up in an Ocean of Talent

Olivia Hudson on Growing Up , Getting Lost, and “The 9:30 Club”

A Graduation of Sorts: Peter Schrupp of Arms Akimbo on “Velleity”

Jason Loux of Xoul Kool on Old-Time and Eclecticism

Eli Gardiner on Letting Go of Loss Through Lyrics

Graydon James of The Young Novelists on Old Towns and New Songwriting Territories

Out on One Limb or Another: An Interview with Opin

Good Rooms, Good Vibes: Peter More and Adrien Faunce on “Caddis Moon”

Comfort’s Phil Koehncke on Ambient Interludes and Productive Conflict

Perfect Imperfection: the Making of Paul Luc’s Bad Seed

Heart, Intention, Authenticity: An Interview with Monti The Artist

Frank Cervantes of Retroglyphs on the Wild Retrowave Road Ahead

The Right Amount of Distortion: An Interview with Sam Valdez

Light and Licensing: An Interview With Composer Jordan Critz

Rentboy on Modernist Poets and Plugging Holes in Past Work

Renz Wilde on the Cyber-Cityscapes of Super Stereo Sound

Pablo Cabrera of Popolocho on Combating the Quarter-Life Crisis

Koda Kerl of Chamomile and Whiskey on Mixing a Cocktail of Influences

Christian Lopez Talks Aiming High with Sophomore Record Red Arrow

How to Build a Time Machine: Inside Michael Oakley’s California EP
