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The All Scene Eye

A Music Blog With Creative Vision

September 21, 2021September 21, 2021

Telyscopes’ 13th Album Casts Itself as a Plane Crash You Can’t Look Away From

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September 17, 2021September 17, 2021

PREMIERE: “Skywriter” Flies Headboggle to the Edge of Synth Space

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August 27, 2021August 29, 2021

Leah Gage of BRNDA on Salt, Snacks, and Breaking Out of Rigid Band Roles

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August 20, 2021December 6, 2021

“Ishtar, Reprise” Completes Ishtar Sr.’s Mythical Molt

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August 20, 2021August 20, 2021

On Artvertisement, Darrin Bradbury Mulls Over “Making It” in Music

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August 17, 2021August 17, 2021

An Update on the Future of The All Scene Eye

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August 9, 2021August 9, 2021

The Hosts of Basic Folk Share Interview Tips and Karaoke Philosophy

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July 30, 2021July 30, 2021

Binding Spell’s English Basement Captures Endless Time in a Finite Space

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July 25, 2021July 25, 2021

PREMIERE: Slow Rosary Distills the Personal and Environmental in One “Refinery”

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July 23, 2021July 23, 2021

PREMIERE: On “Receiver,” (Eli)zabeth Owens’ Art Pop Adventure Continues

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July 16, 2021

On a New Double Concept Album, Kendall Street Company Choose to Go to the Moon

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July 12, 2021July 13, 2021

Producer Slic Talks Overstuffed Stems and Sick, Slappy Synths

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July 7, 2021July 7, 2021

LASKA on Sand Dune Cults and Summer Spirals

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June 25, 2021

The Real Sea Get Realer on a Cutting Debut Dream Pop Single

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June 18, 2021June 18, 2021

On Emma Freeman’s “Silver Cup,” a TikTok Duet Becomes a Dewy Summer Single

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June 14, 2021June 14, 2021

TASE 30: We The Ones, feat. Fake Cousin

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June 11, 2021June 11, 2021

(leave) Nelson B Makes Post-Genre Power Moves on The Famished. Remixes

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June 4, 2021

Jason Jamal Follows His Heart Strings to “U”

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May 31, 2021June 3, 2021

Sunny War’s Simple Syrup is a Masterstroke of Conflicted Clarity

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May 29, 2021May 30, 2021

Reggie Harris on Finding Solid Ground in a Storm of Injustice

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May 20, 2021May 20, 2021

Bandits on the Run on Robbing Banks and Making Alchemical Art

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May 13, 2021May 13, 2021

Kendra Sells on Bad Doctors and Believing in Yourself

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April 29, 2021April 29, 2021

With Help from Millennial Friends, Trixxstar Rocks the Contrast on “So Gone”

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April 22, 2021April 22, 2021

On Emma G’s Born in Crisis, the Power of Music is More than a Metaphor

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April 16, 2021April 16, 2021

Bringing Loop Sessions to the DMV, Beatmaker Mags Cooks Up “Jambalaya of Surprises”

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April 9, 2021April 9, 2021

Fake Dad on Fake Sampling and Real Artistic Tenacity

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April 5, 2021April 5, 2021

On “Hold On Up,” Qween Paz Makes Peace with Slowing Down and Speaking Up

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April 2, 2021April 19, 2021

“Why Not Make It Real?” A Conversation with June LaLonde

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March 27, 2021March 29, 2021

Paulina Vo on Surviving Isolation and Becoming a Music Publishing Sleuth

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March 22, 2021March 22, 2021

On Sideria, Bedtime Khal and No Algorithm Make Collaborative Emo Magic

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March 18, 2021March 18, 2021

Lohrd Snohw and Kate Brunotts Chase the Power of the Unfamiliar

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March 15, 2021March 15, 2021

Mountainess on Soundtracking for the Self-Empowered Introvert

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March 12, 2021March 12, 2021

On Ms. Liza’s Psychic Hotline, Evvy Shark Makes a Call to the Uncanny

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March 10, 2021March 10, 2021

On American Silence, Chris Pierce Delivers Peak Challenging Protest Folk

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March 5, 2021

On “Squares and a Five,” gravedream Contemplates “Poetically Ludicrous” Life Under Late Capitalism

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March 4, 2021March 4, 2021

Brandon MacDonald of Home Is Where on Dylan Worship and Becoming Birds

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March 3, 2021March 3, 2021

Uno Lady Offers Multilingual Mindfulness in “Meditación”

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February 27, 2021February 27, 2021

Crosby Morgan of Leandrul on Infusing Meaning Into Life and Music

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February 25, 2021February 25, 2021

EVVAN Embraces Individuality in “I’m Not Done Yet”

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February 23, 2021February 23, 2021

Ned Russin on Going with His Gut for a Grittier Glitterer

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February 19, 2021

Aaron David Gleason Starts Fresh on the Lush, Theatrical “Happened In My Youth”

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February 16, 2021February 16, 2021

On The Winemaker’s Daughter, Will Overman Leaves Space Around the Love Songs

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February 12, 2021February 12, 2021

Rob Kovacs on Video Game Music and Vulnerability

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February 11, 2021February 11, 2021

Arm’s Length Cut the Filler and Go All In on “Garamond”

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February 11, 2021February 11, 2021

On “Floor Have Mercy,” Ron Mist and Friends Celebrate Being Alive with Steez

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February 9, 2021February 9, 2021

Joanne Fabrix’ “Waterlogged” Gives a Colorful Take on Isolation

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February 5, 2021February 5, 2021

Maria BC on Making Art to Get Out of Bed

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February 3, 2021

Sound of Kalima on Starting with Limitations and Escaping to Space

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February 1, 2021February 1, 2021

Anne Collin’s Bold Debut Blends Minimal Electropop and Maximal Emotion

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January 29, 2021January 29, 2021

On a Lo-Fi Debut, Lloyd’s House Builds a Bass of Operations

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January 28, 2021January 28, 2021

Sadie Gustafson-Zook on Leaning Into Uncertainty

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January 22, 2021January 22, 2021

PREMIERE: In Their Quarantine Collaboration, Max & Haley Get Playfully Abstract

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January 21, 2021January 21, 2021

Quinton Barnes’ Adventures In An Exciting Century of Art

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January 16, 2021January 16, 2021

On Toygirl, Slic Mixes Mindlessness and Meta-Guile

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January 8, 2021January 8, 2021

Tyler Bussey Talks Impossible Scenarios and Widescreen Arrangements

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December 7, 2020

On Whammy, Lance Bangs Return as a Changed Band

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November 27, 2020November 27, 2020

Vishal Narang of Airhead DC on Music and Mythology

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November 26, 2020

Potpourri on Limbering Up for their First Dance

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November 24, 2020

PREMIERE: Alice Hubble Hopes to Make Amends in “We Are Still Alone”

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November 20, 2020November 20, 2020

From Fast Food to the Flavors of Fall: An Interview with Ty Sorrell

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November 14, 2020November 14, 2020

Slow Dress on Radical Politics and Radical Friendship

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November 12, 2020November 12, 2020

Grand Tapestry’s Sophomore Record is the Sound of Sea Change

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November 11, 2020November 11, 2020

Bryson the Alien on the Intergalactic Vibes of His Keyboard Kid Collab

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November 9, 2020November 9, 2020

On Misunderstood, We The People Re-Write the Record-Making Rulebook

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November 6, 2020November 6, 2020

In Sampling, Woven In Finds a Potent New Profession

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November 6, 2020November 6, 2020

Ice Cream Social Releases All-Black Fundraiser Compilation for Community Wellness

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November 4, 2020

For Some Faith, a Dark Synth Debut was Written in the Stars

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November 3, 2020November 3, 2020

Telyscopes Goes to Basics and Back on a Sort-Of Self-Titled Album

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October 30, 2020October 30, 2020

Un-Brokenlegged: Caleb Cordes of Sinai Vessel on Setting His Creative Limb

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October 26, 2020October 26, 2020

Human Barbie’s “Get a Life” Is an Epic Last-Ditch Debut

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October 23, 2020October 23, 2020

Stephanie Lambring on Challenging Herself and Healing Through Hard Truth

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October 22, 2020October 22, 2020

Treat Yourself to a Savory, R&B-tinged New York City Breakfast with Fake Dad

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October 21, 2020October 21, 2020

On Girl Kiss II, Ahomari Is the DIY Diva We Need

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October 16, 2020October 16, 2020

TASE 29: The Philosophy of Time Travel, feat. Superdestroyer

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October 15, 2020October 15, 2020

Not All Is As It Seams In The Weak Days’ Ambitious New Concept Album

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October 14, 2020October 14, 2020

Feminism and Groceries Lead to Deeper Truths for Hey There Rabbit

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October 14, 2020October 15, 2020

On Velvet Confessional, Pressed Orchid Sculpt a Musical Tribute to Auguste Rodin

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October 8, 2020October 8, 2020

HATAAŁII’s Sophomore Record Radiates Caring Vibes in Trying Times

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October 7, 2020October 7, 2020

PREMIERE: Present and Prophecy Collide in The North Country’s “Future Humans”

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October 5, 2020October 5, 2020

PREMIERE: On “Night So Dark,” St. Lorelei Sing to the Moon

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October 2, 2020October 2, 2020

On Find Your Way Out, Bison Bone Invites You to Let Off Some Steam

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October 1, 2020October 1, 2020

PREMIERE: In Quarantine, Kevin Nichols Claims Some Grunge Pop Baggage

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September 26, 2020June 11, 2021

3.0: Saints Introduces a Sharper, Livelier (leave) Nelson B

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September 25, 2020September 25, 2020

Yves Jarvis on Clashing with the Creative Ego in Sundry Rock Song Stock

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September 16, 2020September 17, 2020

Babe, Terror Explores a Bus Graveyard and a Bass Fabrication in “Alcalis”

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September 15, 2020September 15, 2020

River Hooks on Leveling Up From Soundcloud Covers to Her Self-Produced Debut

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September 12, 2020September 13, 2020

PREMIERE: On a New Visual Album, Spartan Jet-Plex Isn’t Just Surviving

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September 12, 2020September 12, 2020

TASE 28: Inner Groove Distortion, feat. Mike Bankhead

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September 11, 2020September 11, 2020

Natalie Frontera and Davide “Spiral” into a Semisweet Collaborative Single

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September 10, 2020September 10, 2020

Dan Maddalone of Coupons on the Band’s Unexpected Up & Up

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September 8, 2020September 8, 2020

PREMIERE: The Latest From 49 Winchester is a Spirit-Shaking Call to “Get Clean”

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September 4, 2020September 4, 2020

Jessica Vaughn on Surviving Music and Building a Better Business

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September 1, 2020September 1, 2020

PREMIERE: Telyscopes Teases New Album with Stop Motion “Cicada Buzz” Video

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September 1, 2020September 1, 2020

In the Making of Ignore What’s Missing, GILT Grew Together in Grief

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August 24, 2020October 19, 2020

On “Crush,” Ahomari Presents a Playful Pop Prelude to Girl Kiss II

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August 21, 2020August 21, 2020

Bronte Fall Talks Age, Aspiration, and the Ironically-Titled Finishing School

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August 21, 2020August 21, 2020

PREMIERE: The End Is the Beginning for Halloween Costume Contest

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August 19, 2020August 19, 2020

Evelyn Cools on Leveling the Production Playing Field

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August 18, 2020

Americana Music Association Hosts Panel on Black Equity in Americana

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August 12, 2020August 14, 2020

The Ghostly Beats Project Brings Black Trans Music to the Mainstream

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