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The All Scene Eye

A Music Blog With Creative Vision

February 20, 2020

Pedazo De Carne Con Ojo’s Full-Length Debut Is Excellent and Eclectic

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February 15, 2020February 15, 2020

Scuttlebuggs Premiere Snarky New Single “Hey There, Skipper!”

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February 13, 2020February 14, 2020

One Small Step For a Band: Tan Cologne on Launching Their Lunar Debut

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February 7, 2020February 13, 2020

Christopher Paul Stelling on Planting Resolutions and Reaping the Rewards in Song

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January 31, 2020

2.0: Phantom Is a Slick Sampling of (leave) nelson b and His Labelmates

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January 24, 2020

PREMIERE: kate can wait on the Somber Sounds of Veraniegas

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January 17, 2020January 29, 2020

On Between Skies, Anna Morsett of The Still Tide Finds Song Shapes in the Clouds

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January 13, 2020January 13, 2020

Frazey Ford Announces New Album U Kin B the Sun

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January 7, 2020

Echo Lad / Telyscopes is a Split that Makes a Surprising Amount of Sense

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January 3, 2020January 5, 2020

On a Stripped-Down Solo Single, Etai Embraces Anti-Folk

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December 23, 2019

Moving Musical Picture: An Interview with Jarik Hieronymus

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December 13, 2019December 13, 2019

PREMIERE: Sexual Agency and Iconic 90s Influences Give Sarah Hollins “This High”

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December 9, 2019March 18, 2020

Gawain and the Green Knight Whet Our Appetite for Epic Folk

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November 29, 2019

On The Ranger, Rosu Lup Take a Soft Step Forward

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November 22, 2019November 22, 2019

Bryan Wang Eases Into Warm, Wintry Vibes on “Paper Mâché”

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November 20, 2019

Charles D’Ardenne of Comprador on the Secret to a Less Self-Conscious Sound

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November 15, 2019

Lindsay Foote Finds Her Footing From Toronto to “New York City”

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November 8, 2019

Half Formed Things on Life in the Studio and in the Flicker

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November 6, 2019

Tall Heights Overwhelm with Emotion on “Keeps Me Light”

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November 1, 2019November 1, 2019

Sean Henry Sticks the Landing on A Jump from the High Dive

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October 31, 2019October 31, 2019

TASE 26: High Art Ignorance, feat. Sean Ghosh

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October 30, 2019January 28, 2020

Modern Love Child Crafts a Joyfully Juvenile Debut Album

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October 25, 2019

On “The Ox Months,” NORPHLET Seeks Nuance in Atmospheric Alt-Rock

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October 23, 2019October 23, 2019

Raynes’ Debut Single “Lemon Drop” is More Sweet Than Sour

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October 18, 2019November 7, 2019

Marinho’s Debut Album Finds Grace in Giving Up

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October 15, 2019October 15, 2019

New Live Video Offers an Ideal Intro to Bandits on the Run

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October 1, 2019October 1, 2019

Superdestroyer Snaps His Rose-Colored Shades

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September 27, 2019

Darrin Bradbury on Mental Health and Making Room for Empathy in Humor

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September 20, 2019September 20, 2019

Lisa Bastoni on Folk Covers and Feeling Alive Again

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September 17, 2019September 17, 2019

Album Premiere: Sleeping On A Bus by Olivia Hudson and Jungheim

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September 13, 2019

Alex Krug on Looking Closer and Leaning Into the Flow

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September 4, 2019

Ashley Sofia on Solo-Songwriting Shades of Blue

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August 29, 2019

Dirty Mae on Dancing Through the Dark Spaces

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August 20, 2019

Noble Dust: From the Ether to the East Coast

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August 19, 2019September 6, 2019

Soul Meets Body on Stepping Up and Starting Something New

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August 14, 2019August 14, 2019

Michaela Anne Talks Diving Deeper on Desert Dove

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July 29, 2019July 29, 2019

Hindsight Is More Than 20/20 in Weston Smith’s “Psychic”

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July 18, 2019

Harper Lines on Hiatuses and Homecomings

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June 28, 2019June 28, 2019

Synthia Slimez in Stellar Form on Descent to Glacial Sphere

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June 24, 2019June 25, 2019

Behind the Surreal Scenes of Bite Marks’ “Fallow”

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June 21, 2019June 21, 2019

Jamie Rowen of Stray Local on Relationships and Running Wild

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June 14, 2019

Ciaran Lavery on Shaking Songwriter Stereotypes

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June 7, 2019June 7, 2019

Cricket Blue on Crafting a Collection of Serotinal Songs

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June 1, 2019

TASE 25: The 2019 Summer Jam Slam

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May 21, 2019May 21, 2019

On Serotinalia, Cricket Blue Sets a New Standard for Fiction-Folk

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May 18, 2019May 17, 2019

Premiere: Telyscopes Back in the Bathtub on Mata Mata

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May 12, 2019

Sizzling Summer Fun with Shormey on Boogie Tape Vol. 1

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April 26, 2019June 26, 2019

L-Space Scores With Music for Megastructures

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April 24, 2019

TASE 24: Words and Walls, feat. Max Aka of KOZEN

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April 17, 2019April 17, 2019

talker Talks Close Collaborators and Audience Immersion

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April 15, 2019April 15, 2019

Co-writing with the Universe: An Interview with Abigail Dowd

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April 10, 2019April 10, 2019

Tree of Shade Finds Driftwood At Their Folk-Pop Finest

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April 4, 2019April 4, 2019

Tim Bluhm on Spirit Sightings and “Sorta Surviving”

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March 24, 2019March 24, 2019

Carly Barnette of KiSMiT on Following the Music of the Moment

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March 18, 2019March 18, 2019

With New Single “To The Wind,” KOZEN Aims to Open Minds

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March 11, 2019March 11, 2019

JD Eicher on Finding New Directions with The Compass EP

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March 1, 2019March 21, 2019

Claire Byrne of Driftwood on Sharing the Creative Reins

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February 23, 2019February 23, 2019

Getting (Musically) Naked with Kelsey Warren of Blak Emoji

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February 17, 2019February 17, 2019

TASE 23: Lecture Hall Live, feat. Taciturn

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February 7, 2019February 7, 2019

Visual Art Ambition in Taciturn’s LIVE IN MCNEIR

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January 25, 2019January 25, 2019

Video Premiere: “Bonsai” by Annachristie Sapphire

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January 18, 2019

Nevermind the Changing Times: An Oral History of Aaron David Gleason

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December 24, 2018December 24, 2018

Video Premiere: Telyscopes’ “Monkey Beating a Bucket”

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December 18, 2018December 18, 2018

Hip-Hop Humility: An Interview with Jake The Human

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December 12, 2018December 24, 2018

Jack Hubbell of Telyscopes on Demystifying Death

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November 29, 2018December 6, 2018

TASE 22: Space For Change, feat. Electric Heart

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November 9, 2018December 6, 2018

ing Self-Titled: Because There’s No Other Word for It

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November 2, 2018December 6, 2018

Premiere: Young Creatures Reach for the Stars on “Prisoner of Escape”

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October 17, 2018December 6, 2018

Norphlet Brings “Brand New” Energy to a Rocking Debut EP

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October 8, 2018October 9, 2018

Wes Charlton Comes Back to a Workbench and a Way of Life

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September 30, 2018December 6, 2018

TASE 21: Tradition and Tragedy, feat. Woody Woodworth

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September 23, 2018December 6, 2018

On Soulful New Single, Beck Pete Gently Breaks Out

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September 15, 2018September 19, 2018

Susannah B on Raising Spirits in a Material World

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September 5, 2018December 6, 2018

Summer Mood Cycle: An Interview with Jungheim

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August 28, 2018

City Boy Shattered: An Interview with Renz Wilde

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August 19, 2018August 20, 2018

Josh Shilling of Mountain Heart on Floating Up in an Ocean of Talent

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August 11, 2018August 11, 2018

Jessie Munro Keeps Her Effortless Cool “Under Fire”

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August 6, 2018March 19, 2019

Olivia Hudson on Growing Up , Getting Lost, and “The 9:30 Club”

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July 28, 2018July 28, 2018

TASE 20: The 2018 Summer Jam Slam

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July 26, 2018July 27, 2018

Barbudo’s “Secret Admirer” Is a Satisfying 70’s Psych-Out

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July 19, 2018July 19, 2018

A Delicate Motor Gives Experimental Pop Purpose on Fellover My Own

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July 4, 2018July 4, 2018

On Fader, The New Division’s Dance is in the Detail

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June 28, 2018July 3, 2018

A Graduation of Sorts: Peter Schrupp of Arms Akimbo on “Velleity”

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June 22, 2018June 28, 2018

Jason Loux of Xoul Kool on Old-Time and Eclecticism

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June 17, 2018June 17, 2018

TASE Ep. 19: Wordless Communication, feat. Taciturn

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June 8, 2018June 8, 2018

Eli Gardiner on Letting Go of Loss Through Lyrics

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June 6, 2018December 6, 2018

Zosia Balances Strength and Sensitivity on “Overthrown”

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June 6, 2018December 6, 2018

Young Rising Sons Rise Above the “+NOISE-“

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May 22, 2018June 6, 2018

Promise and Paradox on the Path to Love Ghost’s “Nowhere”

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May 20, 2018May 20, 2018

Graydon James of The Young Novelists on Old Towns and New Songwriting Territories

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May 16, 2018December 6, 2018

Vrillon Pushes Post-Grunge Forward Without Becoming “Part of the Problem”

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May 11, 2018

TASE Ep. 18: Summer Structure, feat. Abby Rasheed

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April 30, 2018December 6, 2018

A New High for Beachwood Coyotes on “Discipline”

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April 30, 2018December 6, 2018

Soulful Soul-Searching in MAWD’s “Dark Room”

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April 26, 2018December 12, 2018

Scott Stevenson Is Starting Again With Sincerity and Style

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April 13, 2018June 28, 2018

Out on One Limb or Another: An Interview with Opin

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April 3, 2018

The Soundscapes and Psychedelia of Diā’s Dreamy “Valentine”

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March 23, 2018March 23, 2018

DUETS AND STUFF Deliver a Delightfully Direct Pop Debut

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March 13, 2018

TASE Ep. 17: Riding Reciprocal Vibes, feat. Blindfoot

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March 12, 2018March 13, 2018

Bird Concerns Conquer “The Monster” with Surf Rock Subtlety

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