


TASE 24: Words and Walls, feat. Max Aka of KOZEN

talker Talks Close Collaborators and Audience Immersion

Co-writing with the Universe: An Interview with Abigail Dowd

Tree of Shade Finds Driftwood At Their Folk-Pop Finest

Tim Bluhm on Spirit Sightings and “Sorta Surviving”

Carly Barnette of KiSMiT on Following the Music of the Moment

With New Single “To The Wind,” KOZEN Aims to Open Minds

JD Eicher on Finding New Directions with The Compass EP

Claire Byrne of Driftwood on Sharing the Creative Reins

Getting (Musically) Naked with Kelsey Warren of Blak Emoji

TASE 23: Lecture Hall Live, feat. Taciturn

Visual Art Ambition in Taciturn’s LIVE IN MCNEIR

Video Premiere: “Bonsai” by Annachristie Sapphire

Nevermind the Changing Times: An Oral History of Aaron David Gleason

Video Premiere: Telyscopes’ “Monkey Beating a Bucket”

Hip-Hop Humility: An Interview with Jake The Human

Jack Hubbell of Telyscopes on Demystifying Death

TASE 22: Space For Change, feat. Electric Heart

ing Self-Titled: Because There’s No Other Word for It

Premiere: Young Creatures Reach for the Stars on “Prisoner of Escape”

Norphlet Brings “Brand New” Energy to a Rocking Debut EP

Wes Charlton Comes Back to a Workbench and a Way of Life

TASE 21: Tradition and Tragedy, feat. Woody Woodworth

On Soulful New Single, Beck Pete Gently Breaks Out

Susannah B on Raising Spirits in a Material World

Summer Mood Cycle: An Interview with Jungheim

City Boy Shattered: An Interview with Renz Wilde

Josh Shilling of Mountain Heart on Floating Up in an Ocean of Talent

Jessie Munro Keeps Her Effortless Cool “Under Fire”

Olivia Hudson on Growing Up , Getting Lost, and “The 9:30 Club”

TASE 20: The 2018 Summer Jam Slam

Barbudo’s “Secret Admirer” Is a Satisfying 70’s Psych-Out

A Delicate Motor Gives Experimental Pop Purpose on Fellover My Own

On Fader, The New Division’s Dance is in the Detail

A Graduation of Sorts: Peter Schrupp of Arms Akimbo on “Velleity”

Jason Loux of Xoul Kool on Old-Time and Eclecticism

TASE Ep. 19: Wordless Communication, feat. Taciturn

Eli Gardiner on Letting Go of Loss Through Lyrics

Zosia Balances Strength and Sensitivity on “Overthrown”

Young Rising Sons Rise Above the “+NOISE-“

Promise and Paradox on the Path to Love Ghost’s “Nowhere”

Graydon James of The Young Novelists on Old Towns and New Songwriting Territories

Vrillon Pushes Post-Grunge Forward Without Becoming “Part of the Problem”

TASE Ep. 18: Summer Structure, feat. Abby Rasheed

A New High for Beachwood Coyotes on “Discipline”

Soulful Soul-Searching in MAWD’s “Dark Room”

Scott Stevenson Is Starting Again With Sincerity and Style

Out on One Limb or Another: An Interview with Opin

The Soundscapes and Psychedelia of Diā’s Dreamy “Valentine”

DUETS AND STUFF Deliver a Delightfully Direct Pop Debut

TASE Ep. 17: Riding Reciprocal Vibes, feat. Blindfoot

Bird Concerns Conquer “The Monster” with Surf Rock Subtlety

Good Rooms, Good Vibes: Peter More and Adrien Faunce on “Caddis Moon”

Satellite Citi’s “Pyramid” Will Rock Your Third Eye Open

Comfort’s Phil Koehncke on Ambient Interludes and Productive Conflict

Perfect Imperfection: the Making of Paul Luc’s Bad Seed

Heart, Intention, Authenticity: An Interview with Monti The Artist

Writing Infinity: a Rewarding Close-Up of One’s A Crowd

Golfing, then wrestling in rr.gross’ Vapordrone Dream

Frank Cervantes of Retroglyphs on the Wild Retrowave Road Ahead

On “This Feeling,” Natalie Shay is Back and Bolder Than Ever

Percival Elliott and the Beauty and Gravity of “Forever”

The Right Amount of Distortion: An Interview with Sam Valdez

Light and Licensing: An Interview With Composer Jordan Critz

Rentboy on Modernist Poets and Plugging Holes in Past Work

Renz Wilde on the Cyber-Cityscapes of Super Stereo Sound

Chloe Bodur Finds Glory and Grace on Jazzy Debut Single

Pablo Cabrera of Popolocho on Combating the Quarter-Life Crisis

TASE Ep. 16: Moon Prism Power, feat. BabeRage

Koda Kerl of Chamomile and Whiskey on Mixing a Cocktail of Influences

Christian Lopez Talks Aiming High with Sophomore Record Red Arrow

How to Build a Time Machine: Inside Michael Oakley’s California EP

Chamomile and Whiskey Play with Proportions on Sweet Afton

Aaron David Gleason on Authenticity and Breaking a 12-Year Hiatus

TASE Ep. 15: Caffeine-High and Sleep-Deprived, feat. Telyscopes

TASE Ep. 14: Music IQ, feat. Electric Heart

Only Love Will Set You Free: An Interview with Mike Mangione

In Praise of Protest: Dan Miraldi’s Love Under Fire EP

The Road to Self-Knowledge: An Interview with B.R. Lively

TASE Ep. 13: Your Indie Rock Ideal, feat. Cinema Hearts

Behind the Scenes of Serena Foster’s “Hollow,” with Director Kassy Mahea

Ira Wolf Settles Without Settling on The Closest Thing to Home

TASE Ep. 12: The Spleen of the Song, feat. Birds for Eyes

TASE Ep. 11: Dungeons and Duskwhales

Rain on Monday: Kill My Love

TASE Ep. 10: You Tell the Story, feat. Soraya The Great

Cupid McCoy on Crafts, Crushes, and Keeping it Real

Dan Blakeslee on the Circular Path to New Album The Alley Walker

Andrew Belle on the Teamwork Behind New Album Dive Deep

The Hollow Roots’ Billy Kitterman Talks New Album, Well-Aged Roots

Bar Parents on Punk Politics and Drunk Encounters

John Dennis on Poetry, Hope, and Making a Second Album in Nashville

TASE Ep. 9: Elliot Smith Sound-alikes, feat. Noah Zeidman

Tech Honors of death’s dynamic shroud.wmv talks sincerity and a e s t h e t i c

The Mountain Goats: Goths

TASE Ep. 8: The Jam Bible, feat. Katie Wonders

TASE Ep. 7: Fast Track to the Sublime, feat. Mouzon Bigsby

TASE Ep. 6: Riot Grrrls React, feat. Junie B.
