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The All Scene Eye

A Music Blog With Creative Vision

Tag: indie

August 27, 2021August 29, 2021

Leah Gage of BRNDA on Salt, Snacks, and Breaking Out of Rigid Band Roles

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August 20, 2021December 6, 2021

“Ishtar, Reprise” Completes Ishtar Sr.’s Mythical Molt

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August 20, 2021August 20, 2021

On Artvertisement, Darrin Bradbury Mulls Over “Making It” in Music

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July 30, 2021July 30, 2021

Binding Spell’s English Basement Captures Endless Time in a Finite Space

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July 25, 2021July 25, 2021

PREMIERE: Slow Rosary Distills the Personal and Environmental in One “Refinery”

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July 23, 2021July 23, 2021

PREMIERE: On “Receiver,” (Eli)zabeth Owens’ Art Pop Adventure Continues

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July 16, 2021

On a New Double Concept Album, Kendall Street Company Choose to Go to the Moon

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July 7, 2021July 7, 2021

LASKA on Sand Dune Cults and Summer Spirals

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June 25, 2021

The Real Sea Get Realer on a Cutting Debut Dream Pop Single

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June 18, 2021June 18, 2021

On Emma Freeman’s “Silver Cup,” a TikTok Duet Becomes a Dewy Summer Single

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June 11, 2021June 11, 2021

(leave) Nelson B Makes Post-Genre Power Moves on The Famished. Remixes

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June 4, 2021

Jason Jamal Follows His Heart Strings to “U”

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May 29, 2021May 30, 2021

Reggie Harris on Finding Solid Ground in a Storm of Injustice

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May 20, 2021May 20, 2021

Bandits on the Run on Robbing Banks and Making Alchemical Art

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May 13, 2021May 13, 2021

Kendra Sells on Bad Doctors and Believing in Yourself

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April 29, 2021April 29, 2021

With Help from Millennial Friends, Trixxstar Rocks the Contrast on “So Gone”

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April 16, 2021April 16, 2021

Bringing Loop Sessions to the DMV, Beatmaker Mags Cooks Up “Jambalaya of Surprises”

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April 9, 2021April 9, 2021

Fake Dad on Fake Sampling and Real Artistic Tenacity

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April 5, 2021April 5, 2021

On “Hold On Up,” Qween Paz Makes Peace with Slowing Down and Speaking Up

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April 2, 2021April 19, 2021

“Why Not Make It Real?” A Conversation with June LaLonde

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March 27, 2021March 29, 2021

Paulina Vo on Surviving Isolation and Becoming a Music Publishing Sleuth

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March 22, 2021March 22, 2021

On Sideria, Bedtime Khal and No Algorithm Make Collaborative Emo Magic

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March 15, 2021March 15, 2021

Mountainess on Soundtracking for the Self-Empowered Introvert

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March 12, 2021March 12, 2021

On Ms. Liza’s Psychic Hotline, Evvy Shark Makes a Call to the Uncanny

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March 5, 2021

On “Squares and a Five,” gravedream Contemplates “Poetically Ludicrous” Life Under Late Capitalism

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March 4, 2021March 4, 2021

Brandon MacDonald of Home Is Where on Dylan Worship and Becoming Birds

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February 27, 2021February 27, 2021

Crosby Morgan of Leandrul on Infusing Meaning Into Life and Music

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February 19, 2021

Aaron David Gleason Starts Fresh on the Lush, Theatrical “Happened In My Youth”

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February 12, 2021February 12, 2021

Rob Kovacs on Video Game Music and Vulnerability

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February 11, 2021February 11, 2021

On “Floor Have Mercy,” Ron Mist and Friends Celebrate Being Alive with Steez

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February 9, 2021February 9, 2021

Joanne Fabrix’ “Waterlogged” Gives a Colorful Take on Isolation

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February 5, 2021February 5, 2021

Maria BC on Making Art to Get Out of Bed

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February 1, 2021February 1, 2021

Anne Collin’s Bold Debut Blends Minimal Electropop and Maximal Emotion

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January 29, 2021January 29, 2021

On a Lo-Fi Debut, Lloyd’s House Builds a Bass of Operations

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January 21, 2021January 21, 2021

Quinton Barnes’ Adventures In An Exciting Century of Art

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January 16, 2021January 16, 2021

On Toygirl, Slic Mixes Mindlessness and Meta-Guile

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January 8, 2021January 8, 2021

Tyler Bussey Talks Impossible Scenarios and Widescreen Arrangements

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December 7, 2020

On Whammy, Lance Bangs Return as a Changed Band

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November 27, 2020November 27, 2020

Vishal Narang of Airhead DC on Music and Mythology

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November 14, 2020November 14, 2020

Slow Dress on Radical Politics and Radical Friendship

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November 6, 2020November 6, 2020

In Sampling, Woven In Finds a Potent New Profession

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November 6, 2020November 6, 2020

Ice Cream Social Releases All-Black Fundraiser Compilation for Community Wellness

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November 4, 2020

For Some Faith, a Dark Synth Debut was Written in the Stars

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November 3, 2020November 3, 2020

Telyscopes Goes to Basics and Back on a Sort-Of Self-Titled Album

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October 30, 2020October 30, 2020

Un-Brokenlegged: Caleb Cordes of Sinai Vessel on Setting His Creative Limb

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October 22, 2020October 22, 2020

Treat Yourself to a Savory, R&B-tinged New York City Breakfast with Fake Dad

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October 21, 2020October 21, 2020

On Girl Kiss II, Ahomari Is the DIY Diva We Need

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October 16, 2020October 16, 2020

TASE 29: The Philosophy of Time Travel, feat. Superdestroyer

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October 15, 2020October 15, 2020

Not All Is As It Seams In The Weak Days’ Ambitious New Concept Album

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October 14, 2020October 14, 2020

Feminism and Groceries Lead to Deeper Truths for Hey There Rabbit

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October 14, 2020October 15, 2020

On Velvet Confessional, Pressed Orchid Sculpt a Musical Tribute to Auguste Rodin

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October 8, 2020October 8, 2020

HATAAŁII’s Sophomore Record Radiates Caring Vibes in Trying Times

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October 7, 2020October 7, 2020

PREMIERE: Present and Prophecy Collide in The North Country’s “Future Humans”

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October 5, 2020October 5, 2020

PREMIERE: On “Night So Dark,” St. Lorelei Sing to the Moon

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October 1, 2020October 1, 2020

PREMIERE: In Quarantine, Kevin Nichols Claims Some Grunge Pop Baggage

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September 15, 2020September 15, 2020

River Hooks on Leveling Up From Soundcloud Covers to Her Self-Produced Debut

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September 12, 2020September 13, 2020

PREMIERE: On a New Visual Album, Spartan Jet-Plex Isn’t Just Surviving

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September 12, 2020September 12, 2020

TASE 28: Inner Groove Distortion, feat. Mike Bankhead

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September 11, 2020September 11, 2020

Natalie Frontera and Davide “Spiral” into a Semisweet Collaborative Single

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September 1, 2020September 1, 2020

In the Making of Ignore What’s Missing, GILT Grew Together in Grief

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August 24, 2020October 19, 2020

On “Crush,” Ahomari Presents a Playful Pop Prelude to Girl Kiss II

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August 21, 2020August 21, 2020

Bronte Fall Talks Age, Aspiration, and the Ironically-Titled Finishing School

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August 21, 2020August 21, 2020

PREMIERE: The End Is the Beginning for Halloween Costume Contest

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August 19, 2020August 19, 2020

Evelyn Cools on Leveling the Production Playing Field

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August 10, 2020August 10, 2020

On Know It All, Carmen Canedo Crafts a Quietly Compelling Coming-of-Age

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August 8, 2020August 8, 2020

TASE 27: Into the Sample Lab, feat. (leave) nelson b

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August 7, 2020August 7, 2020

Chazzy Lake on Imperfect Enlightenment and Allowing Art to Happen

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July 31, 2020July 31, 2020

One Year On, Highnoon’s Semi Sweet Is Just as Savory

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July 29, 2020July 29, 2020

Cardinality on Support and Self-Love in their Self-Titled Debut

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July 20, 2020July 20, 2020

PREMIERE: On a Slow-Burning Single, Buddie Break From the “Vines”

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July 17, 2020July 17, 2020

Aja Volkman and Dan Epand of TWO on Staging Their Second Act

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July 15, 2020July 15, 2020

With “Donnie,” Charm Take the Scenic Route to Stylistic Fusion

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July 7, 2020July 7, 2020

Surfer Blood Return with a Summer Jam for Self-Isolation

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July 7, 2020July 7, 2020

PREMIERE: “H O R A” Lifts Margaret Chavez’ to the Cosmic Folk Heavens

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July 1, 2020July 1, 2020

On “Melt,” The Winter Passing Let Their Social Frustration Loose

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June 23, 2020June 23, 2020

“Iowa City” Finds Gold Connections Searching a Liminal Sonic Space

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June 18, 2020June 18, 2020

James Downes of TEOA on Socially-Distant Singles

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June 12, 2020June 12, 2020

The Flight One’s Debut EP Cleans the Slate with Synth Pop

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June 10, 2020June 10, 2020

Hayley Sabella on Courage, Faith, and Flying the Nest

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June 5, 2020June 5, 2020

Grimalkin Records 2020 Sampler Supports Black Music and Mutual Aid

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May 29, 2020

Isaiah Ross of Jack Swing on Live Music Under Lockdown

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May 27, 2020

In Satin Nickel’s Shadow of Doubt Video, Skepticism is Sacred

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May 25, 2020February 9, 2021

Dendrons Debut An Obsessive Rock Experiment Founded on Friendship

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May 15, 2020

On “My Kind,” Max Gowan Splashes Cool, Refreshing Water on a Fantasy

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May 15, 2020

Ultimate Overshare’s Rumble Pak Is a Stimulating Audio Accessory

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May 8, 2020May 12, 2020

On Pander, Telyscopes Remain Audacious and Unsentimental

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May 6, 2020May 6, 2020

With “Black Tears,” Bedtime Khal Teases Post-Punk with Personality

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May 1, 2020May 1, 2020

On Survival, Wares Show Us the Urgency of Community–and Cohesive Indie Rock

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May 1, 2020May 1, 2020

Diane Gentile Talks Stage Fright and Sailing The White Sea

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April 22, 2020April 22, 2020

Yuriko Makes a Devastating Debut on Her Own Terms

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April 13, 2020April 13, 2020

Gardenhead Records’ Inaugural Release Offers an Opportunity for Pandemic Relief

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April 8, 2020April 12, 2020

Spartan Jet-Plex on Remastering, Reimagining, and Growing at Their Own Pace

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April 6, 2020April 6, 2020

PREMIERE: Fantasy Non Fiction Put a Punk Pin in “IW2BWU4EVR”

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March 27, 2020March 27, 2020

Anna Holmquist of Ester on Sharing Joy in Saturn’s Return

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March 22, 2020May 24, 2020

Scott Stevenson on Tempering the Tumult of South Philly

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March 13, 2020

Brother Moses’ Guitarists On Bucket List Venues and Big Apple Bustle

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March 5, 2020March 5, 2020

On JUENETHIA, Bryson the Alien Honors His Heroes, Homies, and Above All, Family

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February 20, 2020

Pedazo De Carne Con Ojo’s Full-Length Debut Is Excellent and Eclectic

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February 15, 2020February 15, 2020

Scuttlebuggs Premiere Snarky New Single “Hey There, Skipper!”

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February 13, 2020February 14, 2020

One Small Step For a Band: Tan Cologne on Launching Their Lunar Debut

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