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The All Scene Eye

A Music Blog With Creative Vision

Tag: indie

February 27, 2021February 27, 2021

Crosby Morgan of Leandrul on Infusing Meaning Into Life and Music

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February 19, 2021

Aaron David Gleason Starts Fresh on the Lush, Theatrical “Happened In My Youth”

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February 12, 2021February 12, 2021

Rob Kovacs on Video Game Music and Vulnerability

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February 11, 2021February 11, 2021

On “Floor Have Mercy,” Ron Mist and Friends Celebrate Being Alive with Steez

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February 9, 2021February 9, 2021

Joanne Fabrix’ “Waterlogged” Gives a Colorful Take on Isolation

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February 5, 2021February 5, 2021

Maria BC on Making Art to Get Out of Bed

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February 1, 2021February 1, 2021

Anne Collin’s Bold Debut Blends Minimal Electropop and Maximal Emotion

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January 29, 2021January 29, 2021

On a Lo-Fi Debut, Lloyd’s House Builds a Bass of Operations

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January 21, 2021January 21, 2021

Quinton Barnes’ Adventures In An Exciting Century of Art

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January 16, 2021January 16, 2021

On Toygirl, Slic Mixes Mindlessness and Meta-Guile

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January 8, 2021January 8, 2021

Tyler Bussey Talks Impossible Scenarios and Widescreen Arrangements

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December 7, 2020

On Whammy, Lance Bangs Return as a Changed Band

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November 27, 2020November 27, 2020

Vishal Narang of Airhead DC on Music and Mythology

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November 14, 2020November 14, 2020

Slow Dress on Radical Politics and Radical Friendship

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November 6, 2020November 6, 2020

In Sampling, Woven In Finds a Potent New Profession

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November 6, 2020November 6, 2020

Ice Cream Social Releases All-Black Fundraiser Compilation for Community Wellness

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November 4, 2020

For Some Faith, a Dark Synth Debut was Written in the Stars

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November 3, 2020November 3, 2020

Telyscopes Goes to Basics and Back on a Sort-Of Self-Titled Album

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October 30, 2020October 30, 2020

Un-Brokenlegged: Caleb Cordes of Sinai Vessel on Setting His Creative Limb

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October 22, 2020October 22, 2020

Treat Yourself to a Savory, R&B-tinged New York City Breakfast with Fake Dad

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October 21, 2020October 21, 2020

On Girl Kiss II, Ahomari Is the DIY Diva We Need

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October 16, 2020October 16, 2020

TASE 29: The Philosophy of Time Travel, feat. Superdestroyer

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October 15, 2020October 15, 2020

Not All Is As It Seams In The Weak Days’ Ambitious New Concept Album

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October 14, 2020October 14, 2020

Feminism and Groceries Lead to Deeper Truths for Hey There Rabbit

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October 14, 2020October 15, 2020

On Velvet Confessional, Pressed Orchid Sculpt a Musical Tribute to Auguste Rodin

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October 8, 2020October 8, 2020

HATAAŁII’s Sophomore Record Radiates Caring Vibes in Trying Times

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October 7, 2020October 7, 2020

PREMIERE: Present and Prophecy Collide in The North Country’s “Future Humans”

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October 5, 2020October 5, 2020

PREMIERE: On “Night So Dark,” St. Lorelei Sing to the Moon

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October 1, 2020October 1, 2020

PREMIERE: In Quarantine, Kevin Nichols Claims Some Grunge Pop Baggage

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September 15, 2020September 15, 2020

River Hooks on Leveling Up From Soundcloud Covers to Her Self-Produced Debut

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September 12, 2020September 13, 2020

PREMIERE: On a New Visual Album, Spartan Jet-Plex Isn’t Just Surviving

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September 12, 2020September 12, 2020

TASE 28: Inner Groove Distortion, feat. Mike Bankhead

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September 11, 2020September 11, 2020

Natalie Frontera and Davide “Spiral” into a Semisweet Collaborative Single

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September 1, 2020September 1, 2020

In the Making of Ignore What’s Missing, GILT Grew Together in Grief

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August 24, 2020October 19, 2020

On “Crush,” Ahomari Presents a Playful Pop Prelude to Girl Kiss II

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August 21, 2020August 21, 2020

Bronte Fall Talks Age, Aspiration, and the Ironically-Titled Finishing School

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August 21, 2020August 21, 2020

PREMIERE: The End Is the Beginning for Halloween Costume Contest

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August 19, 2020August 19, 2020

Evelyn Cools on Leveling the Production Playing Field

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August 10, 2020August 10, 2020

On Know It All, Carmen Canedo Crafts a Quietly Compelling Coming-of-Age

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August 8, 2020August 8, 2020

TASE 27: Into the Sample Lab, feat. (leave) nelson b

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August 7, 2020August 7, 2020

Chazzy Lake on Imperfect Enlightenment and Allowing Art to Happen

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July 31, 2020July 31, 2020

One Year On, Highnoon’s Semi Sweet Is Just as Savory

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July 29, 2020July 29, 2020

Cardinality on Support and Self-Love in their Self-Titled Debut

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July 20, 2020July 20, 2020

PREMIERE: On a Slow-Burning Single, Buddie Break From the “Vines”

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July 17, 2020July 17, 2020

Aja Volkman and Dan Epand of TWO on Staging Their Second Act

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July 15, 2020July 15, 2020

With “Donnie,” Charm Take the Scenic Route to Stylistic Fusion

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July 7, 2020July 7, 2020

Surfer Blood Return with a Summer Jam for Self-Isolation

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July 7, 2020July 7, 2020

PREMIERE: “H O R A” Lifts Margaret Chavez’ to the Cosmic Folk Heavens

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July 1, 2020July 1, 2020

On “Melt,” The Winter Passing Let Their Social Frustration Loose

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June 23, 2020June 23, 2020

“Iowa City” Finds Gold Connections Searching a Liminal Sonic Space

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June 18, 2020June 18, 2020

James Downes of TEOA on Socially-Distant Singles

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June 12, 2020June 12, 2020

The Flight One’s Debut EP Cleans the Slate with Synth Pop

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June 10, 2020June 10, 2020

Hayley Sabella on Courage, Faith, and Flying the Nest

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June 5, 2020June 5, 2020

Grimalkin Records 2020 Sampler Supports Black Music and Mutual Aid

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May 29, 2020

Isaiah Ross of Jack Swing on Live Music Under Lockdown

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May 27, 2020

In Satin Nickel’s Shadow of Doubt Video, Skepticism is Sacred

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May 25, 2020February 9, 2021

Dendrons Debut An Obsessive Rock Experiment Founded on Friendship

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May 15, 2020

On “My Kind,” Max Gowan Splashes Cool, Refreshing Water on a Fantasy

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May 15, 2020

Ultimate Overshare’s Rumble Pak Is a Stimulating Audio Accessory

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May 8, 2020May 12, 2020

On Pander, Telyscopes Remain Audacious and Unsentimental

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May 6, 2020May 6, 2020

With “Black Tears,” Bedtime Khal Teases Post-Punk with Personality

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May 1, 2020May 1, 2020

On Survival, Wares Show Us the Urgency of Community–and Cohesive Indie Rock

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May 1, 2020May 1, 2020

Diane Gentile Talks Stage Fright and Sailing The White Sea

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April 22, 2020April 22, 2020

Yuriko Makes a Devastating Debut on Her Own Terms

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April 13, 2020April 13, 2020

Gardenhead Records’ Inaugural Release Offers an Opportunity for Pandemic Relief

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April 8, 2020April 12, 2020

Spartan Jet-Plex on Remastering, Reimagining, and Growing at Their Own Pace

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April 6, 2020April 6, 2020

PREMIERE: Fantasy Non Fiction Put a Punk Pin in “IW2BWU4EVR”

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March 27, 2020March 27, 2020

Anna Holmquist of Ester on Sharing Joy in Saturn’s Return

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March 22, 2020May 24, 2020

Scott Stevenson on Tempering the Tumult of South Philly

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March 13, 2020

Brother Moses’ Guitarists On Bucket List Venues and Big Apple Bustle

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March 5, 2020March 5, 2020

On JUENETHIA, Bryson the Alien Honors His Heroes, Homies, and Above All, Family

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February 20, 2020

Pedazo De Carne Con Ojo’s Full-Length Debut Is Excellent and Eclectic

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February 15, 2020February 15, 2020

Scuttlebuggs Premiere Snarky New Single “Hey There, Skipper!”

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February 13, 2020February 14, 2020

One Small Step For a Band: Tan Cologne on Launching Their Lunar Debut

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January 17, 2020January 29, 2020

On Between Skies, Anna Morsett of The Still Tide Finds Song Shapes in the Clouds

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January 7, 2020

Echo Lad / Telyscopes is a Split that Makes a Surprising Amount of Sense

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December 13, 2019December 13, 2019

PREMIERE: Sexual Agency and Iconic 90s Influences Give Sarah Hollins “This High”

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November 29, 2019

On The Ranger, Rosu Lup Take a Soft Step Forward

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November 20, 2019

Charles D’Ardenne of Comprador on the Secret to a Less Self-Conscious Sound

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November 8, 2019

Half Formed Things on Life in the Studio and in the Flicker

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October 31, 2019October 31, 2019

TASE 26: High Art Ignorance, feat. Sean Ghosh

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October 30, 2019January 28, 2020

Modern Love Child Crafts a Joyfully Juvenile Debut Album

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October 25, 2019

On “The Ox Months,” NORPHLET Seeks Nuance in Atmospheric Alt-Rock

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October 18, 2019November 7, 2019

Marinho’s Debut Album Finds Grace in Giving Up

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October 15, 2019October 15, 2019

New Live Video Offers an Ideal Intro to Bandits on the Run

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October 1, 2019October 1, 2019

Superdestroyer Snaps His Rose-Colored Shades

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September 17, 2019September 17, 2019

Album Premiere: Sleeping On A Bus by Olivia Hudson and Jungheim

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August 29, 2019

Dirty Mae on Dancing Through the Dark Spaces

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August 20, 2019

Noble Dust: From the Ether to the East Coast

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July 29, 2019July 29, 2019

Hindsight Is More Than 20/20 in Weston Smith’s “Psychic”

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June 24, 2019June 25, 2019

Behind the Surreal Scenes of Bite Marks’ “Fallow”

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June 21, 2019June 21, 2019

Jamie Rowen of Stray Local on Relationships and Running Wild

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June 7, 2019June 7, 2019

Cricket Blue on Crafting a Collection of Serotinal Songs

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May 21, 2019May 21, 2019

On Serotinalia, Cricket Blue Sets a New Standard for Fiction-Folk

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May 18, 2019May 17, 2019

Premiere: Telyscopes Back in the Bathtub on Mata Mata

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May 12, 2019

Sizzling Summer Fun with Shormey on Boogie Tape Vol. 1

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December 24, 2018December 24, 2018

Video Premiere: Telyscopes’ “Monkey Beating a Bucket”

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December 18, 2018December 18, 2018

Hip-Hop Humility: An Interview with Jake The Human

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December 12, 2018December 24, 2018

Jack Hubbell of Telyscopes on Demystifying Death

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November 29, 2018December 6, 2018

TASE 22: Space For Change, feat. Electric Heart

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