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The All Scene Eye

A Music Blog With Creative Vision

Tag: pop

January 16, 2021January 16, 2021

On Toygirl, Slic Mixes Mindlessness and Meta-Guile

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January 8, 2021January 8, 2021

Tyler Bussey Talks Impossible Scenarios and Widescreen Arrangements

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November 14, 2020November 14, 2020

Slow Dress on Radical Politics and Radical Friendship

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November 9, 2020November 9, 2020

On Misunderstood, We The People Re-Write the Record-Making Rulebook

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November 6, 2020November 6, 2020

In Sampling, Woven In Finds a Potent New Profession

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November 6, 2020November 6, 2020

Ice Cream Social Releases All-Black Fundraiser Compilation for Community Wellness

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November 4, 2020

For Some Faith, a Dark Synth Debut was Written in the Stars

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October 26, 2020October 26, 2020

Human Barbie’s “Get a Life” Is an Epic Last-Ditch Debut

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October 21, 2020October 21, 2020

On Girl Kiss II, Ahomari Is the DIY Diva We Need

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October 15, 2020October 15, 2020

Not All Is As It Seams In The Weak Days’ Ambitious New Concept Album

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October 14, 2020October 14, 2020

Feminism and Groceries Lead to Deeper Truths for Hey There Rabbit

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October 14, 2020October 15, 2020

On Velvet Confessional, Pressed Orchid Sculpt a Musical Tribute to Auguste Rodin

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October 7, 2020October 7, 2020

PREMIERE: Present and Prophecy Collide in The North Country’s “Future Humans”

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October 5, 2020October 5, 2020

PREMIERE: On “Night So Dark,” St. Lorelei Sing to the Moon

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October 1, 2020October 1, 2020

PREMIERE: In Quarantine, Kevin Nichols Claims Some Grunge Pop Baggage

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September 15, 2020September 15, 2020

River Hooks on Leveling Up From Soundcloud Covers to Her Self-Produced Debut

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September 11, 2020September 11, 2020

Natalie Frontera and Davide “Spiral” into a Semisweet Collaborative Single

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September 10, 2020September 10, 2020

Dan Maddalone of Coupons on the Band’s Unexpected Up & Up

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September 4, 2020September 4, 2020

Jessica Vaughn on Surviving Music and Building a Better Business

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August 24, 2020October 19, 2020

On “Crush,” Ahomari Presents a Playful Pop Prelude to Girl Kiss II

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August 21, 2020August 21, 2020

Bronte Fall Talks Age, Aspiration, and the Ironically-Titled Finishing School

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August 19, 2020August 19, 2020

Evelyn Cools on Leveling the Production Playing Field

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August 10, 2020August 10, 2020

On Know It All, Carmen Canedo Crafts a Quietly Compelling Coming-of-Age

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August 7, 2020August 7, 2020

Chazzy Lake on Imperfect Enlightenment and Allowing Art to Happen

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July 31, 2020July 31, 2020

One Year On, Highnoon’s Semi Sweet Is Just as Savory

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July 20, 2020July 20, 2020

PREMIERE: On a Slow-Burning Single, Buddie Break From the “Vines”

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July 17, 2020July 17, 2020

Aja Volkman and Dan Epand of TWO on Staging Their Second Act

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July 10, 2020July 10, 2020

One Wing is Plenty for Eddy Lee Ryder’s “Expected to Fly”

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July 3, 2020July 3, 2020

The Gods Themselves Find a New Excuse For Timeless Grooves

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July 1, 2020July 1, 2020

On “Melt,” The Winter Passing Let Their Social Frustration Loose

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June 23, 2020June 23, 2020

“Iowa City” Finds Gold Connections Searching a Liminal Sonic Space

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June 20, 2020June 21, 2020

Shormey Compilation Chronicles Years of Eclectic Lo-Fi Experimentation

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June 17, 2020June 17, 2020

On Her New EP, Casey Noel Shows Her Hand as a Student of Songcraft

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June 12, 2020June 12, 2020

The Flight One’s Debut EP Cleans the Slate with Synth Pop

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June 10, 2020June 10, 2020

Hayley Sabella on Courage, Faith, and Flying the Nest

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June 5, 2020June 5, 2020

Grimalkin Records 2020 Sampler Supports Black Music and Mutual Aid

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May 25, 2020May 25, 2020

Dendrons Debut An Obsessive Rock Experiment Founded on Friendship

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April 22, 2020April 22, 2020

Yuriko Makes a Devastating Debut on Her Own Terms

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April 3, 2020April 3, 2020

“Just Kidding. But Not Really.” An Interview with Griefcat

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April 2, 2020

PREMIERE: Emby Alexander Goes Guerrilla on “Morality of Accuracy in Photojournalism”

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March 27, 2020March 27, 2020

Anna Holmquist of Ester on Sharing Joy in Saturn’s Return

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March 26, 2020March 27, 2020

On Push Ups, William Wild Delivers a Surreal Pop Sucker Punch

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March 22, 2020May 24, 2020

Scott Stevenson on Tempering the Tumult of South Philly

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March 18, 2020

With “red,” Cyote Tackles the Ins of the Industry and the Outs of NYC

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March 13, 2020

Brother Moses’ Guitarists On Bucket List Venues and Big Apple Bustle

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December 13, 2019December 13, 2019

PREMIERE: Sexual Agency and Iconic 90s Influences Give Sarah Hollins “This High”

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December 9, 2019March 18, 2020

Gawain and the Green Knight Whet Our Appetite for Epic Folk

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November 22, 2019November 22, 2019

Bryan Wang Eases Into Warm, Wintry Vibes on “Paper Mâché”

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November 15, 2019

Lindsay Foote Finds Her Footing From Toronto to “New York City”

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November 6, 2019

Tall Heights Overwhelm with Emotion on “Keeps Me Light”

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November 1, 2019November 1, 2019

Sean Henry Sticks the Landing on A Jump from the High Dive

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October 30, 2019January 28, 2020

Modern Love Child Crafts a Joyfully Juvenile Debut Album

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October 23, 2019October 23, 2019

Raynes’ Debut Single “Lemon Drop” is More Sweet Than Sour

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August 20, 2019

Noble Dust: From the Ether to the East Coast

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August 19, 2019September 6, 2019

Soul Meets Body on Stepping Up and Starting Something New

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August 14, 2019August 14, 2019

Michaela Anne Talks Diving Deeper on Desert Dove

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July 18, 2019

Harper Lines on Hiatuses and Homecomings

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June 21, 2019June 21, 2019

Jamie Rowen of Stray Local on Relationships and Running Wild

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May 18, 2019May 17, 2019

Premiere: Telyscopes Back in the Bathtub on Mata Mata

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May 12, 2019

Sizzling Summer Fun with Shormey on Boogie Tape Vol. 1

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April 26, 2019June 26, 2019

L-Space Scores With Music for Megastructures

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April 24, 2019

TASE 24: Words and Walls, feat. Max Aka of KOZEN

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April 17, 2019April 17, 2019

talker Talks Close Collaborators and Audience Immersion

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April 10, 2019April 10, 2019

Tree of Shade Finds Driftwood At Their Folk-Pop Finest

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March 24, 2019March 24, 2019

Carly Barnette of KiSMiT on Following the Music of the Moment

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March 18, 2019March 18, 2019

With New Single “To The Wind,” KOZEN Aims to Open Minds

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March 11, 2019March 11, 2019

JD Eicher on Finding New Directions with The Compass EP

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March 1, 2019March 21, 2019

Claire Byrne of Driftwood on Sharing the Creative Reins

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February 23, 2019February 23, 2019

Getting (Musically) Naked with Kelsey Warren of Blak Emoji

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January 18, 2019

Nevermind the Changing Times: An Oral History of Aaron David Gleason

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December 24, 2018December 24, 2018

Video Premiere: Telyscopes’ “Monkey Beating a Bucket”

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December 12, 2018December 24, 2018

Jack Hubbell of Telyscopes on Demystifying Death

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September 15, 2018September 19, 2018

Susannah B on Raising Spirits in a Material World

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August 11, 2018August 11, 2018

Jessie Munro Keeps Her Effortless Cool “Under Fire”

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August 6, 2018March 19, 2019

Olivia Hudson on Growing Up , Getting Lost, and “The 9:30 Club”

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June 28, 2018July 3, 2018

A Graduation of Sorts: Peter Schrupp of Arms Akimbo on “Velleity”

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June 6, 2018December 6, 2018

Zosia Balances Strength and Sensitivity on “Overthrown”

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June 6, 2018December 6, 2018

Young Rising Sons Rise Above the “+NOISE-“

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April 30, 2018December 6, 2018

Soulful Soul-Searching in MAWD’s “Dark Room”

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April 26, 2018December 12, 2018

Scott Stevenson Is Starting Again With Sincerity and Style

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April 3, 2018

The Soundscapes and Psychedelia of Diā’s Dreamy “Valentine”

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March 23, 2018March 23, 2018

DUETS AND STUFF Deliver a Delightfully Direct Pop Debut

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February 7, 2018February 15, 2018

Heart, Intention, Authenticity: An Interview with Monti The Artist

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February 2, 2018February 15, 2018

Writing Infinity: a Rewarding Close-Up of One’s A Crowd

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January 18, 2018February 15, 2018

Frank Cervantes of Retroglyphs on the Wild Retrowave Road Ahead

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January 15, 2018March 9, 2018

On “This Feeling,” Natalie Shay is Back and Bolder Than Ever

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January 8, 2018March 9, 2018

Percival Elliott and the Beauty and Gravity of “Forever”

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December 19, 2017February 15, 2018

The Right Amount of Distortion: An Interview with Sam Valdez

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December 11, 2017February 15, 2018

Rentboy on Modernist Poets and Plugging Holes in Past Work

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November 15, 2017February 15, 2018

Christian Lopez Talks Aiming High with Sophomore Record Red Arrow

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November 13, 2017February 15, 2018

How to Build a Time Machine: Inside Michael Oakley’s California EP

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September 13, 2017February 15, 2018

Behind the Scenes of Serena Foster’s “Hollow,” with Director Kassy Mahea

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August 28, 2017February 15, 2018

Rain on Monday: Kill My Love

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August 21, 2017February 15, 2018

Cupid McCoy on Crafts, Crushes, and Keeping it Real

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August 4, 2017February 15, 2018

Andrew Belle on the Teamwork Behind New Album Dive Deep

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November 13, 2016February 12, 2019

Driftwood’s Claire Byrne

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November 13, 2016May 27, 2019

An Interview with Grant Frazier

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