
Tag: rock


On Artvertisement, Darrin Bradbury Mulls Over “Making It” in Music

Binding Spell’s English Basement Captures Endless Time in a Finite Space

PREMIERE: Slow Rosary Distills the Personal and Environmental in One “Refinery”

On a New Double Concept Album, Kendall Street Company Choose to Go to the Moon

The Real Sea Get Realer on a Cutting Debut Dream Pop Single

(leave) Nelson B Makes Post-Genre Power Moves on The Famished. Remixes

With Help from Millennial Friends, Trixxstar Rocks the Contrast on “So Gone”

On “Hold On Up,” Qween Paz Makes Peace with Slowing Down and Speaking Up

“Why Not Make It Real?” A Conversation with June LaLonde

On Sideria, Bedtime Khal and No Algorithm Make Collaborative Emo Magic

Brandon MacDonald of Home Is Where on Dylan Worship and Becoming Birds

Ned Russin on Going with His Gut for a Grittier Glitterer

Aaron David Gleason Starts Fresh on the Lush, Theatrical “Happened In My Youth”

On Whammy, Lance Bangs Return as a Changed Band

Potpourri on Limbering Up for their First Dance

Slow Dress on Radical Politics and Radical Friendship

On Misunderstood, We The People Re-Write the Record-Making Rulebook

Not All Is As It Seams In The Weak Days’ Ambitious New Concept Album

HATAAŁII’s Sophomore Record Radiates Caring Vibes in Trying Times

PREMIERE: On “Night So Dark,” St. Lorelei Sing to the Moon

On Find Your Way Out, Bison Bone Invites You to Let Off Some Steam

PREMIERE: In Quarantine, Kevin Nichols Claims Some Grunge Pop Baggage

3.0: Saints Introduces a Sharper, Livelier (leave) Nelson B

Yves Jarvis on Clashing with the Creative Ego in Sundry Rock Song Stock

TASE 28: Inner Groove Distortion, feat. Mike Bankhead

Dan Maddalone of Coupons on the Band’s Unexpected Up & Up

In the Making of Ignore What’s Missing, GILT Grew Together in Grief

Bronte Fall Talks Age, Aspiration, and the Ironically-Titled Finishing School

One Year On, Highnoon’s Semi Sweet Is Just as Savory

PREMIERE: On a Slow-Burning Single, Buddie Break From the “Vines”

Aja Volkman and Dan Epand of TWO on Staging Their Second Act

With “Donnie,” Charm Take the Scenic Route to Stylistic Fusion

One Wing is Plenty for Eddy Lee Ryder’s “Expected to Fly”

Surfer Blood Return with a Summer Jam for Self-Isolation

PREMIERE: “H O R A” Lifts Margaret Chavez’ to the Cosmic Folk Heavens

On “Melt,” The Winter Passing Let Their Social Frustration Loose

Japandroids’ Massey Fucking Hall Is a Time Capsule From Simpler Days

James Downes of TEOA on Socially-Distant Singles

Isaiah Ross of Jack Swing on Live Music Under Lockdown

In Satin Nickel’s Shadow of Doubt Video, Skepticism is Sacred

Dendrons Debut An Obsessive Rock Experiment Founded on Friendship

Primary Sound Take Us Back to Basics on a Sardonic Punk Debut

On “My Kind,” Max Gowan Splashes Cool, Refreshing Water on a Fantasy

Ultimate Overshare’s Rumble Pak Is a Stimulating Audio Accessory

On Pander, Telyscopes Remain Audacious and Unsentimental

With “Black Tears,” Bedtime Khal Teases Post-Punk with Personality

On Survival, Wares Show Us the Urgency of Community–and Cohesive Indie Rock

Diane Gentile Talks Stage Fright and Sailing The White Sea

Steve Wynn of The Dream Syndicate on Finding Order in The Universe Inside

Gardenhead Records’ Inaugural Release Offers an Opportunity for Pandemic Relief

PREMIERE: Fantasy Non Fiction Put a Punk Pin in “IW2BWU4EVR”

On Between Skies, Anna Morsett of The Still Tide Finds Song Shapes in the Clouds

Echo Lad / Telyscopes is a Split that Makes a Surprising Amount of Sense

PREMIERE: Sexual Agency and Iconic 90s Influences Give Sarah Hollins “This High”

Charles D’Ardenne of Comprador on the Secret to a Less Self-Conscious Sound

Half Formed Things on Life in the Studio and in the Flicker

Sean Henry Sticks the Landing on A Jump from the High Dive

Modern Love Child Crafts a Joyfully Juvenile Debut Album

On “The Ox Months,” NORPHLET Seeks Nuance in Atmospheric Alt-Rock

Marinho’s Debut Album Finds Grace in Giving Up

Behind the Surreal Scenes of Bite Marks’ “Fallow”

Premiere: Telyscopes Back in the Bathtub on Mata Mata

With New Single “To The Wind,” KOZEN Aims to Open Minds

TASE 23: Lecture Hall Live, feat. Taciturn

Video Premiere: Telyscopes’ “Monkey Beating a Bucket”

Jack Hubbell of Telyscopes on Demystifying Death

Premiere: Young Creatures Reach for the Stars on “Prisoner of Escape”

Norphlet Brings “Brand New” Energy to a Rocking Debut EP

On Soulful New Single, Beck Pete Gently Breaks Out

Jason Loux of Xoul Kool on Old-Time and Eclecticism

TASE Ep. 19: Wordless Communication, feat. Taciturn

Promise and Paradox on the Path to Love Ghost’s “Nowhere”

Vrillon Pushes Post-Grunge Forward Without Becoming “Part of the Problem”

A New High for Beachwood Coyotes on “Discipline”

Soulful Soul-Searching in MAWD’s “Dark Room”

TASE Ep. 17: Riding Reciprocal Vibes, feat. Blindfoot

Bird Concerns Conquer “The Monster” with Surf Rock Subtlety

Good Rooms, Good Vibes: Peter More and Adrien Faunce on “Caddis Moon”

Satellite Citi’s “Pyramid” Will Rock Your Third Eye Open

Comfort’s Phil Koehncke on Ambient Interludes and Productive Conflict

TASE Ep. 16: Moon Prism Power, feat. BabeRage

TASE Ep. 15: Caffeine-High and Sleep-Deprived, feat. Telyscopes

In Praise of Protest: Dan Miraldi’s Love Under Fire EP

TASE Ep. 13: Your Indie Rock Ideal, feat. Cinema Hearts

TASE Ep. 11: Dungeons and Duskwhales

The Hollow Roots’ Billy Kitterman Talks New Album, Well-Aged Roots

Bar Parents on Punk Politics and Drunk Encounters

TASE Ep. 7: Fast Track to the Sublime, feat. Mouzon Bigsby

TASE Ep. 6: Riot Grrrls React, feat. Junie B.

TASE Ep. 3: In Service of the Song, feat. Tequila Mockingbird

TASE Ep. 2: Spring Break Island Special, feat. Castle of Genre
