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The All Scene Eye

A Music Blog With Creative Vision

Tag: Singer-Songwriter

May 13, 2021May 13, 2021

Kendra Sells on Bad Doctors and Believing in Yourself

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April 22, 2021April 22, 2021

On Emma G’s Born in Crisis, the Power of Music is More than a Metaphor

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March 27, 2021March 29, 2021

Paulina Vo on Surviving Isolation and Becoming a Music Publishing Sleuth

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March 18, 2021March 18, 2021

Lohrd Snohw and Kate Brunotts Chase the Power of the Unfamiliar

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February 27, 2021February 27, 2021

Crosby Morgan of Leandrul on Infusing Meaning Into Life and Music

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February 16, 2021February 16, 2021

On The Winemaker’s Daughter, Will Overman Leaves Space Around the Love Songs

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February 5, 2021February 5, 2021

Maria BC on Making Art to Get Out of Bed

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January 28, 2021January 28, 2021

Sadie Gustafson-Zook on Leaning Into Uncertainty

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November 27, 2020November 27, 2020

Vishal Narang of Airhead DC on Music and Mythology

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October 30, 2020October 30, 2020

Un-Brokenlegged: Caleb Cordes of Sinai Vessel on Setting His Creative Limb

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October 26, 2020October 26, 2020

Human Barbie’s “Get a Life” Is an Epic Last-Ditch Debut

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October 23, 2020October 23, 2020

Stephanie Lambring on Challenging Herself and Healing Through Hard Truth

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September 12, 2020September 13, 2020

PREMIERE: On a New Visual Album, Spartan Jet-Plex Isn’t Just Surviving

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September 11, 2020September 11, 2020

Natalie Frontera and Davide “Spiral” into a Semisweet Collaborative Single

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August 21, 2020August 21, 2020

Bronte Fall Talks Age, Aspiration, and the Ironically-Titled Finishing School

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August 21, 2020August 21, 2020

PREMIERE: The End Is the Beginning for Halloween Costume Contest

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August 19, 2020August 19, 2020

Evelyn Cools on Leveling the Production Playing Field

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August 18, 2020

Americana Music Association Hosts Panel on Black Equity in Americana

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August 10, 2020August 10, 2020

On Know It All, Carmen Canedo Crafts a Quietly Compelling Coming-of-Age

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June 17, 2020June 17, 2020

On Her New EP, Casey Noel Shows Her Hand as a Student of Songcraft

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June 10, 2020June 10, 2020

Hayley Sabella on Courage, Faith, and Flying the Nest

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June 5, 2020June 5, 2020

Grimalkin Records 2020 Sampler Supports Black Music and Mutual Aid

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May 22, 2020May 22, 2020

On His Full-Length Debut, Grant Frazier Is a Smooth Voice For Stressful Times

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May 1, 2020May 1, 2020

Diane Gentile Talks Stage Fright and Sailing The White Sea

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April 27, 2020

On “Talk To You,” Gabe Lee Masterfully Tunes in to the Times

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April 24, 2020April 24, 2020

Of Monsters and Medicine: Gawain and the Green Knight Premiere “Doctor” Video

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April 22, 2020April 22, 2020

Yuriko Makes a Devastating Debut on Her Own Terms

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April 13, 2020April 13, 2020

Gardenhead Records’ Inaugural Release Offers an Opportunity for Pandemic Relief

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April 10, 2020

Ali Holder Talks Uncomfortable Truths in Unusual Times

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April 3, 2020April 3, 2020

“Just Kidding. But Not Really.” An Interview with Griefcat

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March 26, 2020March 27, 2020

On Push Ups, William Wild Delivers a Surreal Pop Sucker Punch

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March 22, 2020May 24, 2020

Scott Stevenson on Tempering the Tumult of South Philly

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March 18, 2020

With “red,” Cyote Tackles the Ins of the Industry and the Outs of NYC

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February 27, 2020

James Steinle on Reaching Past the Personal, Regional, and Rural

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February 7, 2020February 13, 2020

Christopher Paul Stelling on Planting Resolutions and Reaping the Rewards in Song

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January 24, 2020

PREMIERE: kate can wait on the Somber Sounds of Veraniegas

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January 13, 2020January 13, 2020

Frazey Ford Announces New Album U Kin B the Sun

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January 3, 2020January 5, 2020

On a Stripped-Down Solo Single, Etai Embraces Anti-Folk

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December 23, 2019

Moving Musical Picture: An Interview with Jarik Hieronymus

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November 22, 2019November 22, 2019

Bryan Wang Eases Into Warm, Wintry Vibes on “Paper Mâché”

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November 15, 2019

Lindsay Foote Finds Her Footing From Toronto to “New York City”

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September 27, 2019

Darrin Bradbury on Mental Health and Making Room for Empathy in Humor

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September 20, 2019September 20, 2019

Lisa Bastoni on Folk Covers and Feeling Alive Again

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September 17, 2019September 17, 2019

Album Premiere: Sleeping On A Bus by Olivia Hudson and Jungheim

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September 4, 2019

Ashley Sofia on Solo-Songwriting Shades of Blue

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August 14, 2019August 14, 2019

Michaela Anne Talks Diving Deeper on Desert Dove

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June 14, 2019

Ciaran Lavery on Shaking Songwriter Stereotypes

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June 7, 2019June 7, 2019

Cricket Blue on Crafting a Collection of Serotinal Songs

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May 21, 2019May 21, 2019

On Serotinalia, Cricket Blue Sets a New Standard for Fiction-Folk

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April 15, 2019April 15, 2019

Co-writing with the Universe: An Interview with Abigail Dowd

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April 4, 2019April 4, 2019

Tim Bluhm on Spirit Sightings and “Sorta Surviving”

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March 24, 2019March 24, 2019

Carly Barnette of KiSMiT on Following the Music of the Moment

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March 11, 2019March 11, 2019

JD Eicher on Finding New Directions with The Compass EP

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January 25, 2019January 25, 2019

Video Premiere: “Bonsai” by Annachristie Sapphire

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January 18, 2019

Nevermind the Changing Times: An Oral History of Aaron David Gleason

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October 8, 2018October 9, 2018

Wes Charlton Comes Back to a Workbench and a Way of Life

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September 30, 2018December 6, 2018

TASE 21: Tradition and Tragedy, feat. Woody Woodworth

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September 5, 2018December 6, 2018

Summer Mood Cycle: An Interview with Jungheim

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August 19, 2018August 20, 2018

Josh Shilling of Mountain Heart on Floating Up in an Ocean of Talent

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August 6, 2018March 19, 2019

Olivia Hudson on Growing Up , Getting Lost, and “The 9:30 Club”

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June 8, 2018June 8, 2018

Eli Gardiner on Letting Go of Loss Through Lyrics

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May 20, 2018May 20, 2018

Graydon James of The Young Novelists on Old Towns and New Songwriting Territories

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April 30, 2018December 6, 2018

Soulful Soul-Searching in MAWD’s “Dark Room”

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April 26, 2018December 12, 2018

Scott Stevenson Is Starting Again With Sincerity and Style

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March 8, 2018May 20, 2018

Good Rooms, Good Vibes: Peter More and Adrien Faunce on “Caddis Moon”

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February 15, 2018June 8, 2018

Perfect Imperfection: the Making of Paul Luc’s Bad Seed

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December 19, 2017February 15, 2018

The Right Amount of Distortion: An Interview with Sam Valdez

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December 1, 2017February 15, 2018

Chloe Bodur Finds Glory and Grace on Jazzy Debut Single

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November 15, 2017February 15, 2018

Christian Lopez Talks Aiming High with Sophomore Record Red Arrow

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October 27, 2017February 15, 2018

Aaron David Gleason on Authenticity and Breaking a 12-Year Hiatus

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October 2, 2017February 15, 2018

Only Love Will Set You Free: An Interview with Mike Mangione

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September 30, 2017February 15, 2018

In Praise of Protest: Dan Miraldi’s Love Under Fire EP

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September 25, 2017February 15, 2018

The Road to Self-Knowledge: An Interview with B.R. Lively

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September 13, 2017February 15, 2018

Behind the Scenes of Serena Foster’s “Hollow,” with Director Kassy Mahea

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September 10, 2017February 15, 2018

Ira Wolf Settles Without Settling on The Closest Thing to Home

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August 16, 2017February 15, 2018

Dan Blakeslee on the Circular Path to New Album The Alley Walker

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June 30, 2017February 15, 2018

John Dennis on Poetry, Hope, and Making a Second Album in Nashville

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June 29, 2017February 15, 2018

TASE Ep. 9: Elliot Smith Sound-alikes, feat. Noah Zeidman

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June 11, 2017February 15, 2018

The Mountain Goats: Goths

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April 28, 2017February 15, 2018

TASE Ep. 5: Safer Spaces, feat. Kam Claudel

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November 13, 2016May 27, 2019

An Interview with Grant Frazier

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